A Palette Lifted From The Kiln
PORCELAIN, RENDERED IN THREAD
Blue-and-white porcelain (青花瓷) is among the most recognised of all Chinese art forms, cobalt painted beneath a clear glaze until the pattern seems to float within the vessel.
For six centuries it was the porcelain of emperors and the prize of foreign courts, so coveted that a single Ming vase could be traded for its weight in gold.
In the Qing dynasty, the embroiderers of Suzhou borrowed that language for silk, working peony and scrolling vine in graded blues until the cloth appeared to hold porcelain itself.
The result was named for what it resembled, the blue-and-white porcelain of embroidery. This series carries that inheritance onto full-grain leather, one peony to each bag, set by hand with pearl.


